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・ Thomas Bramsdon
・ Thomas Bramston
・ Thomas Bramwell Welch
・ Thomas Branch
・ Thomas Brand
・ Thomas Brand (minister)
・ Thomas Brand (senior)
・ Thomas Brand Hollis
・ Thomas Brand, 20th Baron Dacre
・ Thomas Brand, 3rd Viscount Hampden
・ Thomas Brand, 4th Viscount Hampden
・ Thomas Brandis
・ Thomas Brandon
・ Thomas Brandon (cricketer)
・ Thomas Brandon (diplomat)
Thomas Brandon (film distributor)
・ Thomas Brandreth
・ Thomas Brandreth (Royal Navy officer)
・ Thomas Branigan Memorial Library
・ Thomas Branker
・ Thomas Brannon
・ Thomas Brasbridge
・ Thomas Brasch
・ Thomas Brash
・ Thomas Brash Morison
・ Thomas Brassard
・ Thomas Brassey
・ Thomas Brassey, 1st Earl Brassey
・ Thomas Brassey, 2nd Earl Brassey
・ Thomas Brathwait


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Thomas Brandon (film distributor) : ウィキペディア英語版
Thomas Brandon (film distributor)
Thomas J. Brandon (1910-1982) was a founding member of the New York Workers Film and Photo League. He later worked as a film distributor for Garrison Films before founding his own company, Brandon Films International, in 1941. During the 1950s, Brandon Films owned the largest collection of 16mm available for general release in the United States. He was the first president of the New York Film Council, and helped to found the Film Forum in 1933 with Pulitzer Prize-winning playwright Sidney Howard. In 1971, Brandon sold his company to Macmillan, the new entity became known as Audio-Brandon. His work in the 1970s to reclaim and publicize the history of 1930s film activism is an important source for film historians. Brandon's unpublished manuscripts and documents on radical film history are deposited at the New York Museum of Modern Art Film Study Center. His film collection was donated to the U.S. Library of Congress in association with the American Film Institute.
==References==

*''Pioneers: An Interview with Tom Brandon'', Fred Sweet, Eugene Rosow, Allan Francovich and Tom Brandon, Film Quarterly, Vol. 27, No. 1 (Autumn, 1973), pp. 12–24
*Steven J. Ross, ''Working-Class Hollywood: Silent Film and the Shaping of Class in America''
*William Alexander, ''Film on the Left: American Documentary Film From 1931 to 1942''
*Russell Campbell, ''Cinema Strikes Back: Radical Filmmaking in the United States, 1930-42''
*Brad Chisholm, "Film and Photo League exhibition strategies," ()
*( MoMA Film Study Center )
*(Labor Related Films in the Library of Congress Collection )


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